I have a confession to make.
I know I tend to put myself out there as some literary snob (Er, sort of, can I be a literary snob and still be addicted to vampire novels? Somehow I doubt it.), but I just can't keep this dirty little secret to myself any longer.
I read Sweet Valley High books when I was a kid.
I know, I know, they're vapid, poorly written crap. Jessica and Elizabeth Wakefield are about the most ridiculous literary "heroines" ever created. I'd tell preteen and teenage girls to look up to
Nancy Drew (who at least seemed to think for herself) and
Trixie Belden (who made constant mistakes) way sooner than telling them to even think about Jess and Liz as any kind of role models.
But I read them. I read them when I was 11/12/13, of course. I read them when being 16 and having a car to drive and boys to date seemed like the
coolest fucking thing evar. I read them and got the misguided idea that high school was full of cool teens, fun dances, regular hangouts, big games, earnest school newspapers, and date nights. (When I got to high school, of course, I discovered that the teens were mostly human and distressingly normal, the dances were sort of fun but also sort of lame, there were no regular hangouts, big games weren't that big, my school didn't have a newspaper that I knew of, and there were no dates, just "group things".) I read them in the wide-eyed way that preteens read that sort of thing. (And now I read funny recaps of them over at
The Dairi Burger, which is a great site for any recovering SVH reader.)
Recently I heard that
Random House is re-releasing the series, and trying to update the so-eighties books to make them more palatable to an modern day audience. While the updating itself is kind of annoying and stupid (I think kids are perfectly able to read eighties-era books and figure out that life was different then - I read a lot of books that were written in the sixties and seventies when I was a kid, and I managed to work it out), there are a few things about it that rather make my stomach turn. Like the twins driving a red Jeep Wrangler instead of a red Fiat. Way to make the girls not give a fuck about gas-guzzling vehicles, Random House! (Also, Fiats are still cool.) But the worst update? The twins, always a "perfect size 6" back in the day, are now a "perfect size 4".
Forgetting for a moment the ridiculous pressure of making a teenage heroine's size "perfect" at all, and forgetting that uniformity in women's clothing sizing is the proverbial missing holy grail of the fashion industry (for those who argue that a size 4 today is a size 6 in the 80s, I say that a size 4 in one shop is a size 6 in another, and a size 2 in another, and also, that's not the point), I have to shout out to Random House a resounding
WHAT THE FUCK? There was already a nice, unattainable for many, goal of perfection in the Sweet Valley books, the constant size 6 of the twins. Now you make the goal even more unattainable? What, do preteen and teenage girls just not feel fucking bad enough about themselves for you, Random House? You have to change up reissued books to make them feel worse?
Man, what's the youth book market coming to these days? The shelves are stuffed with books (that I admittedly haven't read) that are all about perfect kids and their perfect problems. I browse the YA section at bookstores, and I see a lot of
Gossip Girl,
The Clique, et cetera. Where are the books about the outsiders, the kids who were kind of weird, or not perfect? I think those books are almost only being written in the YA fantasy/SF genre nowadays. Which is great, but how about the everyday outsiders, like the ones in the books I ate up as a kid from
Paul Zindel,
Paula Danziger,
John Neufeld,
Hannah Green, and
Judy Blume, to name a few? Those books you have to hunt around a bit to find these days, if you can find them at all.
More
here,
here and
here.
Speaking of books, check out this
essay, which discusses what books/authors are dealbreakers in terms of dating: "Anyone who cares about books has at some point confronted the Pushkin problem: when a missed — or misguided — literary reference makes it chillingly clear that a romance is going nowhere fast. At least since Dante’s Paolo and Francesca fell in love over tales of Lancelot, literary taste has been a good shorthand for gauging compatibility." Anybody out there have dealbreaker books or authors?
Oddly enough, for all of my pseudo-snobbery when it comes to books, I don't think I do. When someone tells me he doesn't like to read (or hates Shakespeare, or dislikes poetry), I take that as more of a challenge than a dealbreaker, and tend to start pointing him toward books that I think will spark his interest. When someone names someone like Dan Brown as a favorite author, I try to discuss that with him, and maybe nudge that person toward
good fiction in a similar genre. On the flipside, though, I do love finding out that I have books/authors in common with someone, and it can raise my esteem of someone if he likes the same stuff that I like. (This, of course, applies to music, film, sports, and all sorts of things, as
Rob Gordon would say: "...what really matters is what you like, not what you are like... Books, records, films -- these things matter. Call me shallow but it's the fuckin' truth...")